[ K trendy NEWS Wookyung Lim ] Director Kim Yoo-jin, who is in charge of directing Disney+'s original series 'Third Person Revenge', which is completely captivating the hearts of global viewers, is drawing attention by revealing the full text interview.
As each episode repeats, unpredictable developments that cannot be predicted even for a moment, the explosive performance of new actors, and various messages that all of us living in the present should think about at least once, leading explosive reactions, 'Kim Yu-jin', who is in charge of directing 'Third Person Revenge'. ' The director told an in-depth story through a written interview.
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I heard that 'Third Person Revenge' was completed after about 3 years of preparation from the planning stage. What was the most important part while preparing for 'Third Person Revenge'?
▶Since it is a story about teenagers, there were parts that I was cautious about, and I think the biggest concern was about the way of expression and how high the level should be set. As the platform was decided to be OTT, I became a lot more comfortable in that aspect, but I still tried to be vigilant so that it would not become a 'stimulus for stimulation' in describing the incident.
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The title itself, 'Third Person Revenge', is very impressive. How did the title 'Third Person Revenge' come about and what meaning did it contain?
▶I think those who have watched the drama already know what kind of revenge the 'revenge' of the third person revenge refers to. 'Revenge' is sometimes included in the English title. I think it is a title that can symbolize the situation where the main character, Chan-mi, is taking the revenge of the twins, and Su-heon is literally acting as a revenge agent. And, in fact, it is absurd, but at the time of deciding on the title, the author said that he happened to see the title of Murakami Haruki's book 'First Person Singular' and came up with it.
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'Third Person Revenge' is a work that adds a mystery thriller genre to a high-teen material. Were there any difficulties in capturing disparate materials and genres in one work? It seems that there was a lot of trouble to put together the message you want to convey.
▶ Even within one episode, high-teen mood scenes and thriller action come and go, so I had to pay a lot of attention to express the gap in harmony, but I think those points are unique to 'Third Person Revenge'. Like the modifier 'high-teen revenge thriller', I wonder if the fact that actors with visuals that seem to suit youth romance are filming dark hero waters was a differentiating point for our drama.
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How was the casting process when you worked with the new actors who are currently receiving the most attention, such as Shin Ye-eun, Romon, and Seo Ji-hoon?
▶ The part I focused on while casting was finding an actor who looked good in school uniform and had a mature feel. It was because even though all of the main characters were 19-year-old high school students, they had to act out the ups and downs of deep emotions in that they lived with the weight of life that even adults could not handle. In that respect, I remember feeling that all three actors matched the role image I had in mind the moment I first met them. It seems that the decision-making process was easy because everyone is full of love and enthusiasm for the character, and they have prepared well in terms of acting. Even now, I am grateful to the actors for that part.
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'Ok Chan-mi', played by actress Shin Ye-eun, is a high school shooter with outstanding skills and a character who does not bend her will in the face of any threat to uncover the truth about her brother's death. What was the reason for setting the character 'Ok Chan-mi' as a shooter, and what was the most important part in building the character or what story did you want to tell the public through this character?
▶Chanmi is a friend who only looks forward and runs like an athlete. He is a friend who runs toward his goal without thinking too complicatedly, so he has no hesitation when making a plan and putting it into action, and he is the style to try it out. So, it is a refreshing character that can be seen without the stuffiness of so-called sweet potatoes, and I tried to direct it so that you can feel that part well. Sometimes, viewers may feel frustrated because there are times when you only look forward and run on the wrong path, but he is the kind of friend who honestly confesses his mistakes without turning a blind eye to them. Also, it would be nice if you could pay attention to the process of Chanmi, who lost her twin brother and was left alone, meeting Suheon at Yongtango and opening her heart and becoming friends.
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'Ji Su-heon' undergoes an unprecedented change in personality due to a brain tumor, and this setting is manifested in the process of 'acting for revenge', thereby broadening the range of action and maximizing the tension of the play. What kind of effort did you put into directing to capture this character's change on camera? Also, was there any special direction for actor Romon?
▶There are various settings given to Suheon, but the most attractive part of this friend is that he stands out for his human and mature side. She doesn't lose her smile even in difficult situations, and she doesn't lose her kindness or kindness, and even if her partner has a secret like Chan-mi and puts her in a corner, she knows Chan-mi's situation and cares for her on the other hand. So I hoped that the change in her personality would feel more embarrassing to this friend, and I hoped that the gap would be revealed.
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The setting of 'Tae So-yeon', who was a victim of school violence, as the person who requested 'revenge agency' for the perpetrator of school violence is significant. Also, 'Ji Su-heon', who starts acting as a revenge agent, is also a character who has the pain of losing his older brother due to school violence. How did you view and direct their 'acting revenge'?
▶It would be nice if you could see that children do not act as revenge agents simply because of money or revenge. Since So-yeon and Su-heon are both children who have been hurt by school violence, they eventually move their hearts and act as revenge agents. However, at the same time, in the case of Suheon, he feels guilty knowing that this method can be a crime. It's not just kids with a vengeance. I didn't want to show only a fragmentary image of 'revenge'. However, I wanted to show that I chose that method in the end because it was the last way for children without guardians to survive.
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The setting of 'acting for revenge' was used to add story-like fun, but I think '3rd person revenge' is a work that contains an alarm for the victims and children caused by our society and adults not being able to protect them. What would be the story or message you most wanted to convey to the public through this work?
▶It wasn't made with a great message in mind, but if there's something I can convey, even now, there must be children who are struggling not for growth but for survival itself. It would be nice if you could look back and reach out your hand.
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Actress Shin Ye-eun expressed her feelings about the work, saying, “All scenes are famous scenes.” Do you have a favorite scene or favorite line from the director?
▶I think it's fun to watch the relationship between Chanmi and Suheon even if you just collect the scenes where they appear together. Among them, there is a sequence in which Chanmi and Suheon share their secrets while drinking together, and it is also a moment in which two friends in similar situations become more comforting to each other and become closer, and also have a chance to take a break. This is my personal favorite scene as it seems to be a moment of healing even for a moment in the midst of unexpected incidents and tension.
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How do you feel about presenting 'Third Person Revenge' to global viewers through Disney+?
▶I've only worked on terrestrial TV, but it seems to have been a challenge in a new environment. The winds of change are blowing in the drama industry, and I think it was a challenge to go in a better direction. It is a work that is personally meaningful as it will be released simultaneously around the world through Disney+. I would appreciate it if you could enjoy it.
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